Dürer and his Culture

Publisher: Cambridge University Press

Written in English
Cover of: Dürer and his Culture |
Published: Pages: 273 Downloads: 864
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  • Painting & paintings,
  • Criticism and interpretation,
  • Artists, Architects, Photographers,
  • Biography & Autobiography,
  • Art & Art Instruction,
  • Biography/Autobiography,
  • Dèurer, Albrecht,,
  • Graphic Arts - General,
  • Art / General,
  • Art / Graphic Arts,
  • Durer, Albrecht,
  • Dèurer, Albrecht,--1471-1528--Criticism and interpretation,
  • 1471-1528

Edition Notes

ContributionsDagmar Eichberger (Editor), Charles Zika (Editor)
The Physical Object
Number of Pages273
ID Numbers
Open LibraryOL7748951M
ISBN 100521619882
ISBN 109780521619882

Albrecht Dürer witnessed and represented some of the most momentous events in early modern European history—the beginnings of the Protestant Reformation and, prior to that, the innovations, both religious and cultural, of the Renaissance humanist movement. In addition to a fresh evaluation of the.   Self portrait Albrecht Dürer was the very epitome of a Renaissance man. Born in at the height of the German Renaissance, he excelled at painting, woodcuts, engraving, typography, book-making and writing. Having studied the family trade of goldsmithing, he went on to apprentice with his godfather Anton Koberger, th. Ireland Archduke Ferdinand’s Visit to Kinsale and the Dürer connection, by Hiram Morgan. Contemporary account of the teenage Archduke Ferdinand’s unplanned sojourn in the 16th-century. It shows Albrecht Dürer the artist, his talents bestowed onto him by God. Set against a plain background, the artist is directly facing the viewer. His right hand is lifted to his chest with two fingers spread apart, reminiscent of a gesture of blessing. His curly hair falls to his shoulders and his monogram is emblazoned prominently to his right.

  Dürer's view of 3D solids was a departure from the classical Greek approach, and was one of his key influences on scientists and mathematicians, particularly Johannes Kepler .   Dürer inscribed his prints with his initials—AD, stylized so that the D is nestled beneath the crossbar of the A—to proclaim his authorship and ingenuity. By , while still in his twenties, he had already become the most well-known artist in Europe. This exhibition presents one hundred of Dürer’s prints, plus prints by his.   Dürer’s Journeys – Travels of a Renaissance Artist is a major new show announced for the National Gallery March This will be the first significant UK exhibition of the artist’s works in such a wide range of media for nearly twenty years shows Dürer’s career as a . In the summer of , soon after his engagement, Albrecht Dürer made a startlingly intimate drawing of his fiancée Agnes Frey. One might have expected a twenty-three-year-old to depict his betrothed as a source of love, or comfort or well-being. Instead, Albrecht showed Agnes twisted up in a knot of anxious introversion. In its frank portrayal of an informal moment of unguarded emotion.

  Dürer was an enterprising artist and his legacy was considerable. One of his most important projects in terms of fame and fortune was the set of fifteen woodcuts, accompanied in separate editions by German and Latin texts, which he published in 'The Apocalypse' was the first book to be illustrated by a major artist. It was also a. Dürer, Self-portrait, Study of a Hand and a Pillow Our mission is to provide a free, world-class education to anyone, anywhere. Khan Academy is a (c)(3) nonprofit organization. Albrecht Dürer: Coloring Book Hardcover – Janu by Albrecht Dürer (Author, Illustrator) German Renaissance artist Albrecht Dürer () is held up as perhaps the most significant artist of his time, particularly for his printmaking. The son of a Nuremberg goldsmith, Dürer .

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This collection attempts to set preeminent German Renaissance artist Albrecht DÜrer () in the cultural context of the early sixteenth century. It offers analyses of and suggests relationships between DÜrer's work and aspects of his culture that have not received much attention in previous by: 1.

Dürer and his culture / Dagmar Eichberger and Charles Zika -- Naturalia and artefacta: Dürer's nature drawings and early collecting / Dagmar Eichberger -- Germanic patriotism in the age of Dürer / Larry Silver -- The Michelfeldt Tapestry and contemporary European literature / Wim Hüsken -- Ways of seeing in the age of Dürer / Bob Scribner -- Dürer's witch, riding women and moral order / Charles Zika -- Pages: Dürer and his culture / Dagmar Eichberger and Charles Zika --Naturalia and artefacta: Dürer's nature drawings and early collecting / Dagmar Eichberger --Germanic patriotism in the age of Dürer / Larry Silver --The Michelfeldt Tapestry and contemporary European literature / Wim Hüsken --Ways of seeing in the age of Dürer / Bob Scribner --Dürer's witch, riding women and moral order / Charles Zika.

Durer and his Culture by Dagmar Eichberger (Editor), Charles Zika (Editor), Eichberger Dagmar (Editor). Plough Quarterly No. 15 - Staying Human: The Tech Issue (Paperback) by Eberhard Arnold, Michael Plato, Alexi Sargeant, and a great selection of related books, art.

Dürer and his Culture. While there is scarcely a shortage of scholarly publications focused directly upon the various aspects of Albrecht Dürer’s life and work – such studies had already reached gargantuan proportions prior to the artist’s th birthday thirty years ago and have continued unabated since – fresh insights into the customs, beliefs and regulations of his time and place are always welcome.

Free Online Library: Durer and His Culture.(Review) by "Renaissance Quarterly"; Humanities, general Literature, writing, book reviews Book reviews Books Printer Frien, articles and books. Albrecht Dürer is the most significant and admired artist of the northern Renaissance.

Tracing his work and influence from his earliest career to his powerful posthumous role within German culture, this richly illustrated book surveys all of the artist's best-known prints Reviews: 7. An admirer of his compatriot Martin Schongauer, Dürer revolutionized printmaking, elevating it to the level of an independent art form.

He expanded its tonal and dramatic range, and provided the imagery with a new conceptual foundation. By the age of thirty, Dürer had completed or begun three of his most famous series of woodcuts on religious subjects: The Apocalypse (;), the.

Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.

The woodcuts, such as the Apocalypse. This collection sets Albrecht Dürer (–) in the cultural context of the early sixteenth- century. Topics include views of nature and attitudes to collecting, patriotism, and morality, witchcraft, and the rituals of courtship, the power of visual images, and the role of : Hardcover.

Albrecht Dürer (–) is a famous Renaissance artist. Mathematicians probably know him best for his work Melencolia I which contains a magic square, a mysterious polyhedron, a compass, etc.

Today I was reading his book Underweysung der Messung mit dem Zirckel und Richtscheyt (The Painter’s Manual: A manual of measurement of lines, areas, and solids by means of.

Description. The artist and entrepreneur Albrecht Dürer lived in Germany in the early s, when two storms were threatening the Holy Roman Empire. First, Suleiman the Magnificent and his army of Ottoman Turks were expanding from Constantinople to Vienna, the doorstep of Europe.

Second, Martin Luther, a German monk and professor, wrote his Ninety-Five Theses identifying corruption within the. The Apocalypse, properly Apocalypse with Pictures is a series of fifteen woodcuts by Albrecht Dürer published in depicting various scenes from the Book of Revelation, which rapidly brought him fame across Europe.

These woodcuts likely drew on theological advice, particularly from Johannes Pirckheimer, the father of Dürer's friend Willibald Pirckheimer. Work on the series started during. Curator in Chief, Bavarian State Painting Collection, Munich.

Author of Cosimo Tura; Grünewald; and others. Albrecht Dürer, (bornImperial Free City of Nürnberg [Germany]—died April 6,Nürnberg), painter and printmaker generally regarded as the greatest German Renaissance artist.

His vast body of work includes altarpieces and religious works, numerous portraits and self-portraits. Through rich interpretations of images both familiar and unfamiliar, Silver builds on his earlier work on themes of the celebration not only of the German Emperor and military power but also of a distinctly wild German topography, demonstrating in the process how sophisticated was the visual culture of Dürer’s time—the princely counterpart.

Dürer was an accurate, loving student of nature; his art is full of meticulous, captivating depictions of vegetation, animals, even a clod of earth. His. The Complete Drawings of Albrecht Dürer By Albrecht Dürer; Walter L. Strauss Abaris Books, vol.1, Librarian's tip: This is the first volume of a multi-volume set on Questia Read preview Overview.

Although there is a vast specialized literature on the Nuremberg master,The Essential Dürerfills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person.

Neil MacGregor, director of the British Museum, presents the dual goals of the exhibition and catalogue, Albrecht Dürer and his Legacy: The Graphic Work of a Renaissance Artist, in the book’s preface: ‘to present the development of Dürer as a graphic artist’ and to examine ‘his astonishing artistic afterlife, the absorption and adaptation of his work by artists through the centuries.’ The catalogue includes four.

Albrecht Dürer has books on Goodreads with ratings. Albrecht Dürer’s most popular book is The Complete Woodcuts of Albrecht Dürer. “Katharina, 20 years old”, Dürer wrote above her portrait, to remind himself of their encounter.

Later, designing his own coat of arms, he centred it around the bust of a Moor. Later in his life Dürer became increasingly engaged in scientific topics, publishing treatises including his Four Books on Measurement (), Treatise on Fortification () and Four Books on Human Proportion (), for which he created illustrations.

He believed that geometry was essential for producing harmonic artworks, and thus that it. During and Dürer created the greatest of his copperplate engravings: the Knight, Death and Devil, St.

Jerome in His Study, and Melencolia I —all of approximately the same size, about by cm ( by inches). Additional Physical Format: Online version: Anzelewsky, Fedja, Dürer. Seacaucus, N.J.: Chartwell Books, © (OCoLC) Named Person.

Book Illuminations. This Handlist-consistently referred to in the text-is not a "critical catalogue" but a mere inventory which, it is hoped, will help the English-speaking reader to find his way through the vast and bewildering mass of material which, rightly or wrongly, is associated with the name of Albrecht Durer.

The son of a goldsmith, Dürer began as a maker of woodcuts for book illustrations in his native Nuremberg. Deeply curious about the ideas and working methods of Italian artists, he made two trips to Italy, once in his early twenties and once in his mid-thirties; lessons learned there immediately influenced his.

Albrecht Dürer transformed woodblock printing through the use of fine, graceful lines, intricate details, and subtle gradations, efforts that could be achieved only through skillful and precise carving.

Woodblock While Dürer's key role in designing woodcuts is certain, his. Dürer's paintings are few and more traditional than his engravings and woodcuts. In he published the first book entirely produced by an artist, The Apocalypse, which included fourteen woodcuts illustrating the Book of Revelation.

Its vivid imagery, masterly draftsmanship, and complex iconography established his reputation. A major new exhibition devoted to German Renaissance artist Albrecht Dürer opens at the National Gallery in March The Credit Suisse Exhibition: Dürer’s Journeys – Travels of a Renaissance Artist – running from 6 March to 13 June – chronicles (for the very first time) the Nuremberg-born artist’s journeys to the Alps and Italy in the mids; to Venice in –7; and.

In his recreation of the green world, Dürer utterly resists the sort of picturing that isolates individual entities against a void. He presents nature as continuous and inextricable. And then the.Albrecht Dürer was born in the German city of Nuremberg in Mayone of 18 children born to Albrecht and Barbara Dürer (only three of whom survived to adulthood).

His father — after whom he was named — was a successful goldsmith of Hungarian heritage, and young Albrecht apprenticed with him before deciding on an artistic career instead.Albrecht Dürer () Anselm Kiefer (born ) Arms and Armor - Common Misconceptions and Frequently Asked Questions Europe and the Age of Exploration Jan Gossart (ca.

) and His Circle Portraiture in Renaissance and Baroque Europe Rembrandt van Rijn (): Prints The Decoration of Arms and Armor.